Governing Board

Andrew Pearce is VP of Global Technology at DreamWorks, where his projects have included establishing an analytics infrastructure at the studio, establishing technology
platforms for DreamWorks TV, and spearheading Open Source initiatives such as ASWF, and OpenVDB which won a Sci/Tech Academy Award for its inventors. Andrew has 26
film credits in Visual Effects R&D.

Before joining DreamWorks 2004, Mr. Pearce spent 3 years as Head of Production Technology at ESC, the visual effects house behind the Matrix sequels. He started his career at Alias developing technologies such as Paint Effect, Maya, Alias Ray Tracer and delivering Maya for Mac OSX as Director of Maya Technologies. He shares a Sci/Tech Oscar for his part in the development of Maya, received 3 U.S. patents, and is equally proud of his 1999 CBC sketch comedy television special Fred’s Bicycle Repair Shop.

Andrew received his M.Sc. from the University of Calgary where he studied Computer Science specializing in multiprocessor ray tracing.

Andy Maltz is the founding Managing Director of the Academy of Motion Picture Arts and Sciences’ Science Technology Council. He developed and implemented the Council’s operational plan, oversees the Council’s day-to-day operations, leads several Council projects and represents the Academy on science and technology matters at industry, government and academic forums in the U.S. and abroad. Prior to joining the Academy, Andy worked in the commercial world for over 20 years developing and deploying digital cinema servers and mastering systems, professional media authoring systems, nonlinear editing systems as well as working in film, television and commercial production. Andy also serves as ISO TC 36 Cinematography chair and is a member of the Society of Motion Picture and Television Engineers (SMPTE) Journal Board of Editors.

Arjun Ramamurthy has over 25 years of experience in the Motion Picture industry, as a senior
technologist responsible for outlining, defining and implmenting the next generation workflow and
technology utilized for Feature and TV production and post-production, Digital Content Processing and
downstream Distribution and Digital Archiving.

Arjun oversaw the technology strategy at Twentieth Century Fox, and was previously with Deluxe’s
EFILM facility, and prior to that with Warner Bros’. Technical Operations and Feature Animation.
He is a member of the Scientific and Technology council of the Academy, and an active member of
SMPTE, and has contributed on a variety of technical committees and standards. He holds several
patents in the area of Digital Image processing and Media Post Production.

Bruno Sargeant is Senior Product Manager – Animation and Cinematics at Unity Technologies.

Daniel Heckenberg is R&D Supervisor – Graphics at Animal Logic, responsible for research and development in procedural geometry, rendering and animation engineering and tools. Working at Animal Logic since 2007, he has made significant contributions to the studio’s character tools for fur, hair and feathers and production renderer ‘Glimpse’. He is an enthusiastic participant in industry open source projects and is currently chair of the ASWF’s Technical Advisory Council.

Darin Grant has over 20 years experience in the industry, holding a variety of senior positions as a technologist including Head of Production Technology at Dreamworks Animation and more recently as the Global CTO at Digital Domain and Method Studios where he drove innovation and operational excellence across engineering and operations.

Dr. Eric Bourque is a Director of Engineering for M&E products within the Entertainment Creation Group at Autodesk.

Erik Strauss is Director of Post Production Engineering at Netflix, where he leads a group of software engineering teams focused on media workflow across all of Netflix’s original content production. Erik’s teams strive to innovate the processes and technology supporting content creation with the goal of removing the logistics of digital workflows and maximizing the opportunity for collaborators to pour creativity into their content at Netflix.

Gerald Tiu is Director of Media and Entertainment for Microsoft Azure focusing on Content Creation. He has spent most of his career working in the Visual Effects and Animation industry building production tools for companies such as Pixar, ILM and Disney’s ImageMovers Digital. His cloud journey began at Amazon Web Services as a Professional Services Consultant working in large fortune 500 companies to build out fully functioning application clusters with minimal code. Gerald has spent the last 5 years at Microsoft following his passion in working to enable the best content creation platform for Media and Entertainment customers and partners.

Graham Jack is DNEG Chief Technical Officer. He is leading the company’s technology team to ensure the smooth day-to-day running of its global pipeline and infrastructure, identifying and implementing measures to improve its efficiencies and help it reach its business objectives, and driving the on-going development of its technology strategy. Prior to his current role, Graham was DNEG Head of 3D and played an instrumental role in both setting up the lighting and rendering pipeline at DNEG and influencing the development of technology in all areas of the company.

Dr. Hank Driskill is the Chief Technology Officer at Blue Sky Studios, and is thrilled to be a part of Blue Sky’s team. Hank has encouraged a philosophy that innovation in our field should always be in service of making movies that matter; sharing technology across our industry through mechanisms like the ASWF will only help every studio tell stories that mean something. Hank grew up in the small town of Gardner, Kansas. He received bachelor degrees in both Computer Science and Astronomy from the University of Kansas, going on to earn his PhD in Computer Science from the University of Utah. He embarked on his professional career at Digital Domain, where he helped bring films such as Apollo 13, Dante’s Peak, Fifth Element and Titanic to life. Hank then spent 20 years at Walt Disney Animation Studios as part of the studio’s leadership, most recently serving as Technical Supervisor on Big Hero 6 and Moana.

Jeffrey Kember is Director, Developer Relations at NVIDIA, Inc.

Jim Jeffers, Sr. Principal Engineer and Sr. Director of Intel’s Advanced Rendering and Visualization team, leads the design and development of the open source rendering library family known as the Intel® oneAPI Rendering Toolkit. This toolkit is used for generating animated movies, visual special effects, product design and scientific visualization. Jim joined Intel in 2008 and has co-authored 4 books on Intel Architecture parallel programming. Jim’s experience includes software design and technical leadership in high performance computing, graphics rendering, digital television, and data communications. Jim’s notable work prior to Intel includes development for the Tech Emmy winning virtual ‘First Down Line’ technology seen on live American football TV broadcasts.

As the VP Technology & Development of Rodeo FX, Jordan oversees all technological aspects of the company, from IT infrastructure decisions, to software and pipeline design, through production management. With a degree in Artificial Intelligence and Cognitive Science from the University of Toronto, Jordan brings a creative and innovative approach to solving technological problems.

Julie Truong joined Epic Games in 2016, where she is the Executive Producer in charge of Technology, overseeing product management for the Unreal Engine. Prior to Epic, Julie was at Ubisoft for 6 years, leading the Central Technology teams and working on games like Far Cry. Beforehand she was a product manager at Autodesk on several products such as Motionbuilder and games middleware. Julie holds a bachelor in Electrical Engineering and an MBA.

Luca is the lead architect of Weta Digital’s next-generation proprietary renderer, Manuka. This renderer is the culmination of a three-year research endeavour involving over 40 researchers and continues to allow Weta Digital to produce highly complex images with unprecedented fidelity. Luca joined Weta Digital in 2004 and has also worked for Pixar Animation Studios. Through a partnership with NVIDIA, Luca co-developed the GPU-based PantaRay that was instrumental in the making of the movie Avatar, and (since 2011’s The Adventures of Tintin) also became the foundation of volumetric shadow support within the Weta pipeline. Luca was recently recognized with a Scientific and Engineering award from the Academy of Motion Pictures for his work on FACETS, Weta’s facial motion capture system.

Michael Ford is VP, Head of Software Development at Sony Pictures Imageworks where he oversees the technology and software development of the award winning studio. Throughout his 20+ year career, Ford has fostered a close connection of the creative process to innovative technology in feature animation and VFX production. Ford was the VFX supervisor on the animated feature film Hotel Transylvania 3 and Smurfs: The Lost Village for Sony Pictures Animation. While at Imageworks, Ford also served as a supervisor on Concussion, Storks, Hotel Transylvania, Cloudy with a Chance of Meatballs 1 & 2 and the Academy Award® nominated film Surf’s Up.

Rob Bredow runs Industrial Light & Magic (ILM) with a particular focus on the creative strategy for the storied visual effects company. He brings an innovative focus to the role, with a background in technology and hands-on experience both as a visual effects supervisor, technology executive, and production partner. As SVP, Executive Creative Director and Head of ILM, Bredow is responsible for the company’s overall creative strategy and global operations. Bredow recently served as the Visual Effects Supervisor and Co-Producer on Solo: A Star Wars Story. He served as a creative partner to the filmmakers throughout the production, from the earliest story meetings to the final frames of visual effects. He leveraged his background in innovative technology to help tell the story of the film, creating grounded images with a unique shooting style designed for the movie. Bredow joined Lucasfilm in 2014 as Vice President of New Media and Head of Lucasfilm’s Advanced Development Group. He helped launch ILMxLAB in 2015 and co-wrote and directed Trials on Tatooine, a story-based virtual reality experiment created in collaboration with Lucasfilm’s Story Group, ILMxLAB and Skywalker Sound. In his former role as Lucasfilm Chief Technology Officer, Bredow oversaw all technology development for Lucasfilm and ILM. Previously, Bredow was CTO and Visual Effects Supervisor at Sony Pictures Imageworks. He has contributed as a supervisor on films such as Independence Day, Godzilla, Stuart Little, Cast Away, Surf’s Up, Cloudy With A Chance of Meatballs, and others. Bredow is a member of the VFX Branch of Academy of Motion Pictures Arts & Sciences and the AMPAS Science and Technology Council.

Todd oversees the media and entertainment rendering and content creation roadmap for the Google Cloud Platform and works closely with major studios to develop solutions to extend their existing pipelines. Todd joined Google via the acquisition of Zync Render, a turnkey cloud rendering solution, at which he led product and business strategy. Prior to Zync he held numerous product development and technology roles in computer graphics at GenArts, Inc.

Will McDonald is Head of Product Management – Studio Technology for Amazon Web Services (AWS), where he is responsible for the roadmap and strategy for products and services relating to content creation. Prior to joining AWS in 2018, Will held a variety of both creative and engineering leadership roles at Autodesk, Electronic Arts, Industrial Light & Magic, and was most recently VP of Product & Engineering at Conductor Technologies. Will holds a M.S. in Software Engineering from Carnegie Mellon University and a B.F.A. in Visual Effects from the Savannah College of Art + Design.